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Main theme from the soundtrack of Forbidden Planet, 1956.ĭobrian, Christopher. Basement Ghost Singing, 2005.īarron, Louis and Bebe. This Is the Picture (Excellent Birds), 1984/86.Īrmor for Sleep.
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The Robinson-Dadson curves show the results of some later experiments on the subjective perception of loudness as a function of frequency and amplitude, comparable but not identical to the results of the earlier Fletcher-Munson experiments.Īnderson, Laurie and Gabriel, Peter. The Fletcher-Munson curves show the conclusions of some early cognitive experiments on the subjective perception of loudness as a function of frequency and amplitude.
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How Hearing Works, an explanation of the human auditory system. The Weber-Fechner law theorizes the relationship between empirical stimulus (measurable physical phenomena) and human perception of the stimulus. (The same principles apply when talking about digital audio, except that the 0 dB reference amplitude in digital audio is usually the greatest amplitude the system can produce, rather than the softest sound we can hear.) Here's a pretty good article explaining The Decibel as it's used to discuss sounds in the real world. If you're interested to know the details of common audio file formats, you can read detailed explanations of the AIFF and WAVE file formats. Nigel Redmon posts a blog of well made and comprehensible tutorials on many topics of digital audio at the site EarLevel Engineering. Smith III is a complete online book on filters. Introduction to Digital Filters (with Audio Applications) by Julius O. Programming Electronic Music in Pd, an online text by Johannes Kreidler. The Theory and Techniques of Electronic Music by Miller Puckette, with examples in the graphic programming environment Pd. Propellerhead's information page on ReWire.Īn article on "Advanced Reverberation", Part 1 and Part 2 by Paul White from Sound on Sound magazine, October and November 2001. The ReDrum in Propellerhead Reason is a set of tutorials with downloadable Reason example files, provided by Hydlide. Record U, "University of Recording", a set of tips for recording provided on the Propellerheads website.
#Soundhack freesound manual
Reason Reason 9 Operation Manual (.pdf, 82 MB) Improving Your Stereo Mixing by Paul White, from Sound On Sound magazine, October 2000 Tutorial on MIDI and Music Synthesis by Jim Heckroth The GRM: landmarks on a historic route (PDF), by Evelyne Gayou Technology and musique concrète: the technical developments of the Groupe de Recherche Musicale and their implication on musical composition (PDF), by Daniel Teruggi
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What the GRM brought to music: from musique concrète to acousmatic music (PDF), by Marc Battier Gassmann Studio calendar, available if you are a studio user MP3 Learning Object, a tutorial on MPEG I Layer 3 by Nathaniel Tull Phillips.Ī thorough description of all music technology facilities in the Claire Trevor School of the Arts at UC Irvine. "The Future of Music: Credo", 1937.Ĭage, John. Microphone Techniques: Live Sound Reinforcement (PDF document, 1.4 MB), a Shure Educational Publication. The Soundcraft Guide to Mixing (PDF document, 2 MB) Guide to Sound Objects by Michel Chion, a scholarly exegisis of Pierre Schaeffer's groundbreaking work and writings on musique concrète. Music 151: Computer Music Composition - Winter 2017ġ20 Years of Electronic Music – An online historyĭigital Audio (1997) by Christopher Dobrian, from MSP: The Documentation published by Cycling '74 and l'IRCAM This page contains hyperlinks to online documents and information relevant to the class